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Dvorak Humoreske Op. 101 No. 7 for Violin and PianoDvořák's Humoreske, Op. 101 No. 7 is one of those pieces that works immediately with any audi…
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Dvorak Humoreske Op. 101 No. 7 for Viola and PianoDvořák's Humoreske, Op. 101 No. 7 is one of those pieces that works immediately with any audi…
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Dvorak Violin Concerto for Violin and String Orchestra - First MovementDvořák's Violin Concerto in A minor, Op. 53 is one of the most demanding and rewarding works …
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Dvorak Cello Concerto Op. 104 for Cello and String OrchestraDvořák's Cello Concerto in B minor, Op. 104 is one of the great works in the cello repertoire…
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Dvorak Silent Woods for Cello and String OrchestraDvořák: Silent Woods (Klid), Op. 68 No. 5 (Solo Cello & String Orchestra) Dvořák o…
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Dvorak Romance Op. 11 for Violin and String OrchestraDvorak Romance Op. 11 for Violin and String Orchestra Dvořák drew the Romance in F minor, Op.…
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Dvorak Rondo Op.94 for Cello and String OrchestraDvořák: Rondo in G minor, Op. 94 (Arr. Cello and String Orchestra) Dvořák wrote the Ro…
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Dvorak Scottish Dances Op. 41 for String OrchestraDvořák: Scottish Dances, Op. 41 (Arr. String Orchestra) Dvořák composed his Scottish D…
£9.99
Dvořák
Antonín Dvořák (1841–1904) was a Czech composer whose career was transformed when Brahms, serving on an Austrian state stipend committee, encountered his music and recommended him to his own publisher Simrock. In 1892 he was recruited to direct the National Conservatory in New York at a salary that dwarfed anything available in Europe; the New World Symphony and the American String Quartet were both written during his American years. Away from music he was a passionate railway enthusiast who visited Prague station regularly to watch locomotives and memorise their numbers, and kept pigeons with equal dedication. His string writing, from the Serenade for Strings to the late quartets, is among the most naturally idiomatic in the repertoire.