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Goltermann Cello Concerto No. 4 Op. 65 for Cello & String OrchestraGoltermann's Cello Concerto No. 4 in G major, Op. 65 has been a first concerto for advancing cellist…
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Goltermann Cello Concerto No 1 Op. 14 for Cello and String OrchestraGoltermann: Cello Concerto No. 1 in A minor, Op. 14 (Arr. Solo Cello and String Orchestra) Golterman…
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Goltermann Alla Pollacca Op 48 No 4 for Cello and PianoGoltermann: Alla Pollacca, Op. 48 No. 4 — New Edition (Cello and Piano) Goltermann's Alla Poll…
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Goltermann Alla Pollacca Op 48 No 4 for Cello and String OrchestraGoltermann: Alla Pollacca, Op. 48 No. 4 (Arr. Solo Cello and String Orchestra) Goltermann's Alla Pol…
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Goltermann Adagio Op 83 for Cello & String OrchestraGoltermann: Adagio from Cello Concerto No. 4 in G major, Op. 83 (Arr. Solo Cello and String Orchestr…
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Goltermann Adagio Op 83 for Cello & OrchestraGoltermann: Adagio from Cello Concerto No. 4 in G major, Op. 83 (New Edition, Cello and Orchestra) G…
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Goltermann Religioso & Nocturne Op. 53 for Cello QuartetGoltermann: Religioso Nocturne, Op. 53 (Arr. Cello Quartet) Goltermann's Religioso Nocturne is a qui…
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Goltermann Etude Op 132 No 1 for Cello QuartetGoltermann: Etude, Op. 132 No. 1 (Arr. Cello Quartet) Goltermann's Op. 132 etudes are well-construct…
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Goltermann Etude Op 132 No 1 Cello and PianoGoltermann: Etude, Op. 132 No. 1 (New Edition for Cello and Piano) Goltermann's Op. 132 etudes combi…
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Goltermann Cello Concerto No 3 Op. 51 for Cello & String OrchestraGoltermann: Cello Concerto No. 3 in B minor, Op. 51 (Arr. Cello and String Orchestra) Goltermann's T…
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Goltermann Adagio & Tarantella Op 35 No 4 for Solo Cello & String OrchestraGoltermann's Adagio and Tarantella, Op. 35 No. 4 puts two very different demands on the soloist side…
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Goltermann Gavotte Op. 122 No. 4 for Cello QuartetGoltermann's Gavotte, Op. 122 No. 4 is a short, elegant piece in the Baroque dance style, originally…
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Goltermann
Georg Goltermann (1824–1898) was a German cellist and composer who served as conductor of the Frankfurt Opera for many years while maintaining a performing career that took him across Europe. His output centres on the cello: nine concertos and a large number of salon pieces written from the inside knowledge of a working soloist. His Concerto No. 4 in G major, Op. 65 has become one of the most widely used intermediate cello concertos in the teaching repertoire, a standard fixture on examination syllabuses; like Bréval and Dancla before him, Goltermann is a composer whose music is considerably better known than his name.