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Kreisler Schon Rosmarin for Cello and String OrchestraKreisler's Schön Rosmarin ("Beautiful Rosemary") is a short character piece from 1905 that capt…
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Kreisler Schon Rosmarin for Viola and String OrchestraKreisler's Schön Rosmarin ("Fair Rosemary") is a short Viennese salon piece from 1905 that sits…
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Kreisler Liebesleid for Viola and String OrchestraKreisler's Liebesleid ("Love's Sorrow") is the slow, wistful waltz from his Alt-Wiener Tanzweisen ("…
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Kreisler Miniature Viennese March for Violin and String OrchestraKreisler's Miniature Viennese March is one of those pieces that does exactly what it sets out to do …
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Kreisler Caprice Viennois for Violin and String OrchestraKreisler: Caprice Viennois, Op. 2 (Arr. Violin and String Orchestra) Caprice Viennois is one of the …
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Kreisler Tambourin Chinois Violin and String OrchestraKreisler: Tambourin Chinois, Op. 3 (Arr. Violin and String Orchestra) Tambourin Chinois is among the…
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Kreisler Variations on a Theme by Corelli for Violin and String OrchestraKreisler: Variations on a Theme by Corelli (Solo Violin & String Orchestra) Kreisler's Variation…
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Kreisler Liebesleid for Violin and String OrchestraKreisler: Liebesleid (Love's Sorrow) (Arr. Violin and String Orchestra) Kreisler's Liebesleid is one…
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Kreisler Liebesfreud for Violin and String OrchestraKreisler: Liebesfreud (Love's Joy) (Arr. Violin and String Orchestra) Liebesfreud is the compani…
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Kreisler Praeludium and Allegro for Violin and String OrchestraKreisler: Praeludium and Allegro (in the style of Pugnani) for Violin and String Orchestra Kreisler'…
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Kreisler Sicilienne and Rigaudon for Violin and String OrchestraKreisler: Sicilienne and Rigaudon (in the style of Francoeur) for Violin and String Orchestra …
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Kreisler Schon Rosmarin for Violin and String OrchestraKreisler: Schön Rosmarin for Violin and String Orchestra Kreisler's Schön Rosmarin is two …
£22.99
Kreisler
Fritz Kreisler (1875–1962) was an Austrian-born violinist and composer whose warm tone, continuous vibrato, and aristocratic phrasing helped define the sound of twentieth-century violin playing. For much of his career he published pieces attributed to Baroque and Classical masters, claiming to have found the manuscripts in monastery libraries; programmes for decades paired the Praeludium and Allegro "by Pugnani" with his own Liebesleid and Liebesfreud. When he admitted in 1935 that the attributed works were entirely his own, the critical world was embarrassed and fascinated in equal measure. Elgar dedicated his Violin Concerto to Kreisler, who gave the world premiere in 1910.