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Elgar Carissima for Violin and String OrchestraElgar's Carissima is a short, tender salon piece from 1914 that sits well at ABRSM Grade 7: a few mi…
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Elgar Chanson de Nuit Op 15 No 1 for Violin and String OrchestraElgar's Chanson de Nuit is one of those pieces that sounds simpler than it is to play well. The melo…
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Elgar Chanson de Matin Op 15 No 2 for Violin and String OrchestraChanson de Matin is the companion piece to Elgar's Chanson de Nuit, and the two sit naturally alongs…
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Elgar Salut d'amour Op. 12 for Cello QuartetElgar's Salut d'Amour is one of those pieces almost every audience recognises immediately, and it su…
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Elgar La Capricieuse Op. 17 for Solo Violin and String OrchestraElgar: La Capricieuse Op. 17 for Solo Violin and String Orchestra La Capricieuse is the kind of Elga…
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Elgar Salut d'amour Op. 12 for String QuartetElgar: Salut d'Amour Op. 12 for String Quartet Elgar wrote Salut d'Amour in 1888 as a gift for his f…
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Elgar Salut d'amour Op. 12 Violin and String OrchestraElgar: Salut d'Amour Op. 12 for Violin and String Orchestra Immerse yourself in the tender beauty of…
£19.99
Elgar
Edward Elgar (1857–1934) was largely self-taught as a composer, the son of a Worcester music-shop owner who spent years as a local violin teacher before the Enigma Variations brought him sudden fame at forty-one. The work's title refers to a puzzle he set but never solved: he claimed the theme went with another well-known melody that has never been convincingly identified. When his wife Alice died in 1920 he fell almost entirely silent; he was working on a Third Symphony when he died fourteen years later, leaving sketches eventually realised by Anthony Payne in 1997. His string writing, from the Serenade for Strings to the Introduction and Allegro, remains central to the repertoire.