Dvorak Humoreske Op. 101 No. 7 for Violin and Piano

Looking for a charming, lyrical showpiece that helps violin students master double stopping and stylish bow control?

Dvořák's beloved Humoreske Op. 101 No. 7 is one of the most recognizable melodies in classical music—a gem from his American period that balances warmth with virtuosic flair. Originally composed for piano in 1894, this arrangement brings the singing, nostalgic melody to the violin in the sunny key of G Major. The piece opens with that iconic dotted rhythm that demands precise bow control and elegant phrasing, while the central section introduces expressive double stops (mainly in thirds) that let intermediate-advanced players develop their double stopping technique in a musical context.

Why This Arrangement?

The G Major transposition sits beautifully on the violin, making position work more intuitive whilst preserving the piece's emotional depth. The piano accompaniment preserves the rich harmonies of Dvořák's original while giving the violin room to sing. The piano part provides a supportive, flowing texture that enhances the violin's lyrical lines without overwhelming them. This makes it ideal for recitals and exams, where balance between soloist and accompanist is crucial.

Key Features

• Instrumentation: Violin and Piano
• Difficulty: Grade 7 (Approx. ABRSM Grade 7)
• Key: G Major (transposed for violin-friendly fingering)
• Format: Instant PDF Download (Violin Part & Piano Score)
• Technical Focus: Double stopping (thirds), controlled bowing, dotted rhythms, expressive phrasing

? See & Hear the Difference

Watch the video below to hear how the G Major key brings out the violin's natural warmth and how the double stops add depth to this iconic melody.

Perfect For:

• Student Recitals: A crowd-pleasing work that audiences instantly recognize and love
• ABRSM/Trinity Exams: Preperation for Grade 7-level technical demands wrapped in beautiful music
• Developing Romantic Style: Learn to shape phrases, control vibrato, and master that characteristic Czech warmth
• Building Double-Stop Confidence: Musical context for more advanced double stopping technique in thirds