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Bruch Violin Concerto No. 1 for Violin and String Orchestra - 1st MovementThis one has a genuinely distinctive selling point — the newly composed ending — which I've made the…
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Auer Rhapsodie Hongroise Op 5 for Violin and String OrchestraAuer's Rhapsodie Hongroise, Op. 5 is one of his own compositions rather than a transcription: a show…
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Auer Lensky Aria for Violin and String OrchestraLensky's Aria, "Kuda, kuda," is one of the most affecting moments in all opera: a young poet's farew…
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Portnoff Fantasia No 3 for Violin and String OrchestraPortnoff's Russian Fantasias are well-established in the violin teaching repertoire, and No. 3 is a …
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Dancla Rigodon Op. 206 for Violin and String OrchestraDancla's Rigodon, Op. 206 is a single-movement dance piece in the French Romantic tradition: rhythmi…
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Dancla Premier Solo Op. 77 No. 1 for Violin and String OrchestraLéopold Dancla's Premier Solo, Op. 77 No. 1 belongs to a French tradition of carefully crafted stude…
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Wieniawski Grand Caprice Fantastique Op 1 for Violin and String OrchestraWieniawski wrote the Grand Caprice Fantastique, Op. 1 at 16: a substantial piece for violin and pian…
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Wieniawski Souvenir de Posen Op. 3 for Violin and String OrchestraHere's the rewrite: The Souvenir de Posen (Memory of Poznań) is a mazurka: one of Wieniawski's earl…
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Portnoff Fantasia No. 1 for Violin and String OrchestraPortnoff's Fantasia No. 1 in A minor is a real concert piece that sounds well above its technical le…
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Paderewski Melodie Op. 16 No. 2 for Violin and String OrchestraPaderewski's Mélodie Op. 16 No. 2 is one of those piano pieces that sounds as though it was always m…
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Portnoff Fantasia No. 2 for Violin and String OrchestraPortnoff's Fantasia No. 2 in D minor opens very differently from its predecessor: a sustained, lyric…
£19.99
Violin and String Orchestra
Violin and string orchestra
The violin and string orchestra combination sits at the heart of what we do at MyMusicScores. Concerto reductions for strings, orchestrations of recital pieces, and purpose-written educational concertos are all areas we know well.
The pedagogical concerto repertoire alone is substantial. Rieding, Seitz, Küchler, Accolay, Dancla. These are pieces that student soloists and their orchestras return to year after year, and having parts that are clearly engraved and well balanced makes a real difference in rehearsal.
Beyond the teaching repertoire, there's a strong tradition of arranging full orchestral concertos for string orchestra, which opens up works by Vivaldi, Bach, Mozart, and Mendelssohn to ensembles without a full symphony orchestra at their disposal.
If there's a work you'd like to see here, please get in touch. Requests shape what we add next.