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Rachmaninoff Vocalise Op. 35 No. 14 for Cello and String Orchestra

£19.99
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Rachmaninoff: Vocalise, Op. 34 No. 14 (Solo Cello & String Orchestra)

Rachmaninoff's Vocalise began as a song without words: the last of his Op. 34 settings, written for voice and piano and sung on a single vowel throughout. It is a melody that carries everything in the line itself. Rachmaninoff later orchestrated it, and the cello — with its close proximity to the human voice in register and expressive range — is one of the most natural solo instruments for it. This arrangement takes Rachmaninoff's own orchestral version as its source and reduces it for string orchestra, setting it at around ABRSM Grade 8.

The solo part doesn't ask for extreme registers or complex passage work, but that surface simplicity is deceptive. A slow, exposed melody with Rachmaninoff's rich harmonic language beneath it leaves intonation nowhere to hide, and the long, sustained bow strokes demand consistent tone production and smooth management from one phrase to the next. Everything about this piece calls for quality: a ringing, resonant cello sound, clean intonation throughout, and the ability to shape a musical story with genuine feeling rather than simply covering the notes. The string orchestra accompaniment, reduced from Rachmaninoff's own orchestral version, surrounds the soloist with sustained harmonies that support and deepen the solo line.

At six minutes, it works as the lyrical centrepiece of a concert or recital, and it communicates immediately with audiences of all kinds.

Check the score and parts preview images above, then watch the complete score video below. They'll give you a clear sense of the engraving quality, orchestral balance, and overall difficulty before you buy.

Key features

  • Instrumentation: Solo Cello + String Orchestra (Violin I, Violin II, Viola, Cello, Double Bass)
  • Difficulty: approximately ABRSM Grade 8
  • Duration: approximately 6 minutes
  • Style focus: sustained tone production, intonation in slow exposed writing, long phrase shaping
  • Format: PDF download, full score and all parts

Who it's for

This suits Grade 8 cellists looking for a solo vehicle that tests musical maturity and tone quality as much as technical ability. It works well in student recitals, school concerts, and festivals where something lyrical and emotionally substantial is needed, and is a good choice for players ready to focus on storytelling and sound rather than technical display.

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