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Here's the rewrite: Portnoff's Russian Fantasias are well-established in the violin teaching repert…

Here's the rewrite: David Popper is best known today for his High School of Cello Playing, but his …

Here's the rewrite: Popper's Papillon (Butterfly), Op. 3 No. 4 is exactly what its name suggests: q…

Here's the rewrite: A tarantella demands one thing above all: absolute rhythmic drive from first no…

Here's the rewrite: Léopold Dancla's Premier Solo, Op. 77 No. 1 belongs to a French traditio…

Here's the rewrite: Before The Merry Widow made him famous, Franz Lehár was a violinist. He …

Here it is in full: Wieniawski wrote the Grand Caprice Fantastique, Op. 1 at 16: a substantial piec…

Wieniawski wrote the Grand Caprice Fantastique, Op. 1 at 16: a substantial piece that shows a young …

Here's the rewrite: The Souvenir de Posen (Memory of Poznań) is a mazurka: one of Wieniawski's earl…

Here's the rewrite: Portnoff's Fantasia No. 1 in A minor is a real concert piece that sounds well a…

Emanuel Moor's Prelude Op. 123 was written for cello and piano, but the music sits just as naturally…

Paderewski's Mélodie Op. 16 No. 2 is one of those piano pieces that sounds as though it was a…