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Beach Romance Op 23 for Viola and String OrchestraAmy Beach's Romance Op. 23 sits naturally on the viola. The instrument's characteristic sound, that …
£22.99 -
Eccles Sonata in G minor for Viola and String OrchestraEccles's Sonata in G minor is one of the most satisfying Baroque works in the standard viola reperto…
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Jansa Cantilene Op 85 for Viola and PianoA cantilène is, by definition, a singing melody, and Jansa's Op. 85 delivers exactly that. Th…
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Moor Largo Op. 105 for Viola and PianoMoor's Largo Op. 105 is exactly what the title promises: slow, sustained, and emotionally weighted f…
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Yanshinov Concertino Op 35 for Violin and PianoYanshinov's Concertino in Russian Style, Op. 35 is one of those pieces that sits more comfortably in…
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Yanshinov Concertino Op 35 for Violin and String OrchestraYanshinov's Concertino in Russian Style, Op. 35 is one of those pieces that sits more comfortably in…
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Portnoff Romanze Op. 4 for Violin and PianoPortnoff's Romanze Op. 4 is a short, focused piece that asks one thing of the violinist above almost…
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Mazas Elergy Op 73 for Viola and PianoMazas is known primarily for his violin études, which are standard teaching material across t…
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Moór Largo Op. 105 for Cello and PianoMoor's Largo Op. 105 was written for cello and piano, and this is the original: no transcription, no…
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Moor Largo Op. 105 for Cello and String OrchestraMoor's Largo Op. 105 was written for cello and piano, and this arrangement gives it a fuller accompa…
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Yanshinov Variations on an Estonian Folk Song Op 38 for Violin TrioYanshinov's Variations on an Estonian Folk Song Op. 35 takes a simple, characterful folk melody and …
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Bull Nocturne Op. 2 for Violin and OrchestraOle Bull's Nocturne Op. 2 is a short piece that makes a strong impression: three minutes of sustaine…
£24.99
Composer
Browse by composer
Sometimes you know exactly whose music you want. This section organises the catalogue by composer, so you can go directly to the works of a particular writer and see everything we have from them.
The catalogue spans the Baroque through to the twentieth century, with a particular focus on the repertoire that string players and their teachers return to most often. If there's a composer you'd like to see represented here, please get in touch.