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Popper Tarantella Op 33 for Cello & String OrchestraA tarantella demands one thing above all: absolute rhythmic drive from first note to last. Popper's …
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Dancla Premier Solo Op. 77 No. 1 for Violin and String OrchestraLéopold Dancla's Premier Solo, Op. 77 No. 1 belongs to a French tradition of carefully crafted stude…
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Lehar Ungarische Fantasie Op 45 for Violin and OrchestraBefore The Merry Widow made him famous, Franz Lehár was a violinist. He trained at the Prague Conser…
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Wieniawski Grand Caprice Fantastique Op 1 for Violin and String OrchestraWieniawski wrote the Grand Caprice Fantastique, Op. 1 at 16: a substantial piece for violin and pian…
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Wieniawski Grand Caprice Fantastique Op 1 for Violin and PianoWieniawski wrote the Grand Caprice Fantastique, Op. 1 at 16: a substantial piece that shows a young …
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Wieniawski Souvenir de Posen Op. 3 for Violin and String OrchestraHere's the rewrite: The Souvenir de Posen (Memory of Poznań) is a mazurka: one of Wieniawski's earl…
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Portnoff Fantasia No. 1 for Violin and String OrchestraPortnoff's Fantasia No. 1 in A minor is a real concert piece that sounds well above its technical le…
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Popper Cello Concerto No 1 Op. 8 for Cello and String OrchestraPopper's Cello Concerto No. 1 in D minor, Op. 8 is one of the great Romantic cello concertos: broad …
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Moor Prelude Op 123 for Viola and PianoEmanuel Moor's Prelude Op. 123 was written for cello and piano, but the music sits just as naturally…
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Paderewski Melodie Op. 16 No. 2 for Violin and String OrchestraPaderewski's Mélodie Op. 16 No. 2 is one of those piano pieces that sounds as though it was always m…
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Moor Prelude Op. 123 for Cello and String OrchestraMoor's Prelude Op. 123 was written for cello and piano, and the cello is where it sounds most at hom…
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Portnoff Fantasia No. 2 for Violin and String OrchestraPortnoff's Fantasia No. 2 in D minor opens very differently from its predecessor: a sustained, lyric…
£19.99
Shop by level
Shop by level
Finding repertoire at the right level is one of the most common challenges in music teaching and learning. We've organised our catalogue into five levels based on the ABRSM grade system, which is widely used internationally and gives a reliable common reference point.
- Beginner: Grades 1–2
- Early intermediate: Grades 3–4
- Intermediate: Grades 5–6
- Advanced: Grades 7–8
- Professional: Diploma level
Grade equivalencies are never exact, and teachers will sometimes disagree about where a particular piece sits. That's why every score on MyMusicScores includes a full video preview — you can watch and listen to the complete piece before you buy, and judge for yourself whether it's the right fit.
If you're still not sure whether a piece is right for you or your student, please get in touch.